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  • August 8, 2018

    The Stone House: May update

    This is a photo of a once neglected but now very happy stone farmhouse with a new cedar shake roof. 

     

    Not going to lie, this was a painful if not reckless financial choice. However, onward we move, knowing we shouldn't have to worry about the roof for many years to come. It adds texture and warmth, it's a natural material, and it will fade to grey over time, to match the stone. No regrets. The copper eaves seem like an additional extravagance, however, they honestly weren't much more than regular painted eaves troughs.

     

    Just wait until you see it all with newly painted trim. It positively glows with warmth and joy.

     

    Upstairs progress: We painted out the staircase with Pure & Original Classico chalk paint in Provincial Gold. This colour is a nod to the window and trim which were originally painted out a simliar colour (see below).

     

    The other upstairs addition is the Shaker Stove from Wittus, designed by Antonio Citterio with Toan Nguyen. Since the furnace isn't connected to the second floor, we figured a cozy fire would be a good idea.  How could we not go with this stove? Inspired by shaker stoves but practical for today's needs. And yes, we need to extend the base out...we'll get to that... 

     

    Original house tour.

     
  • July 24, 2018

    The Stone House: Swedish Kakelugn

     

     

     

    Did I mention we are dreamers?

     

    A standout feature of Scandinavian interiors is the beautiful ceramic tile Kakelugn stove. The all white cylindrical version is possibly the most iconic, however, one can find them in all shapes, sizes and colours--even painted tile. As admirers of Nordic design, we are naturally drawn to the ceramic ornamentation found on these stoves paired with pale wood floors, crown molding and modernist furniture. 

    That being said, these stoves are more than mere decoration. The way the chimney system works, it retains the heat from the first firing in the morning throughout the day, radiating soft warmth for a long period of time without having to use a lot of wood.

     

    So...I can hear you asking. Where on earth did you find this, and how on earth did you get it to small town Ontario from Sweden? Cue John and his internet wanderings again. Purchased from Lindholm Kakelugnar, the interaction was pretty seamless and Mats was very helpful in organizing everything. We used our usual freight forwarder to get it to Toronto, and then our amazing local movers to get it to the country. 

     

    By the way, ignore the grey paint job behind, it got destroyed and we ended up moving in a new direction anyway...
    a surprise for later.

     

    It took awhile to secure a certified stove mason in Ontario willing to put it together for us but eventually we found Alex Chernov. First step was to build a masonry stove, then they had to put all the numbered tiles in the correct location.

    There is a very special way to construct a masonry stove like this. It cannot be made with cement of any kind, and the fillings have to be made with a chalk pudding instead of mortar. Alex and his assistant worked patiently and efficiently, producing a beautiful and authentic end product.

     

    For us finding a stove that would fit in a rural enviroment, in such an old home, was really important. This motif is only found on stoves from Gotland, a Swedish island famous for its stone cottages and craft culture. The stove was built originally around 200 years ago, and you can find stoves by the same stove master in Hotel Stelor in Gotland. 

     

    The brass door is a nice detail.

     

    Under construction, pre filling.

     

    The view from the summer kitchen.

  • July 18, 2018

    Introducing FRAMA

    We've been admirers of FRAMA since we had the Anderssen & Voll Garden Works launch party at Kollected by in Oslo several years ago. Shop owners and stylists stylists Kråkvik & D'Orazio have been long time supporters of FRAMA.

     

    We then visited the Frama showroom for the first time in Copenhagen, and were further amazed with their poetic blend of rational industrial design and craft. Their work conjures for us images of black and white photographs of old French ateliers, studios furnished with functional and strong furniture yet visually delicate and slender. Industrial yet at the same time softened with natural materials like oak and leather. 

    We hope you will enjoy these pieces as much as we do.

     

    Triangolo Chair
    Design by Architect Per Holland Bastrup, 1989. Signature Collection.
    Even though the Triangolo chair was created several decades ago it goes hand in hand with the Frama principles of strong geometric forms and simple lines. 

     

    Circle Mirror and Adam stool in oak.
    Occasionally we see a form that speaks on its own. The round mirrors are an example of just this. A classic round mirror with beveled edges mounted to a solid oak back. Visible screws celebrate the analogue approach to this 50's inspired piece. The visual purity of the round shape is honoured by its material composition. 

     

    Rivet Box Table and Rivet Round Side Table

    Aluminium can be difficult to weld and screw. With that in mind a riveting/tenon technique was developed for the Rivet project. This was also a way to experiment with different variations of visual assembling. The straightforward design is laser cut and hammered by hand, which puts it in a category between craftsmanship and industrial production.

     

     

    Frama St. Pauls Collection of Apothecary
    includes handwash, hand lotion and scents.


    Apothecary is made locally in Denmark. Notes of Sandalwood, Cedar Wood, and Ylang Ylang.
     The Apothecary collection is produced with 100% natural ingredients and in Italian glass bottles.

     

    The Adam Stool collection is inspired by industrial design, an artist's studio, and a workshop. The functionality and simplicity of the design, combined with strong materials, gives these stools a structural and utilitarian approach. 

     

    Sutoa means to contain in Japanese.


    Sutoa drawer fulfills the aesthetic look of a storage chest. 
    It is based on a discreet steel frame combined with wooden stack-able drawers in massive oak. Boxes of different sizes serves various purposes to contain. The gap between the boxes becomes the handle and small wheels at the back is very useful to change the placement of Sutoa. 

    Also pictured is the Frama shallow shelf.

     

    Sintra Table
    Designed by Nicholai Wiig-Hansen


    Suitable as a coffee table or side table where the contrast between the soft warm cork, meets the cold smooth marble. The distinction between the two shapes gives the impression of two worlds meeting one another. 

     

    FRAMA at Kollected by in Oslo, 2016

     

    Pictured: Sintra tables, Shallow Shelf, and 9,5° chair.

     

    Pictured: Shallow Shelf, Adam Stool and Trestle Table

     

     

     

     

     

     

  • July 18, 2018

    New De La Espada in the Showroom

    We just received some stunning new pieces from De La Espada. They are so new they aren't yet on our website, so we thought we'd give you a quick preview here. Click here to see more available items from this collections.

     

    Belle Reeve Sofa by Nichetto Studio, starting from $17,795

     

    Check out the lattice woodwork and elegant brass legs.

     

    Also pitcured: the Neri & Hu Commune bench which is being used as a coffee table.

     

    Handle Side Table by Neri & Hu, brass and white oiled oak, $1600
    Also pictured: Cyclades vase by Nick Ross, $140

     

    Solo Desk (starting from $5995) and Chair in Danish oiled walnut, both by Neri & Hu. 

     

    Antique Korean moon jar in the background, $3975

     

    Elliot Dining Chair (starting from $1595) by Jason Miller and Solo Dining Table by Neri & Hu. 

     

    Woodworking through-tenon detail with wedge

     

    Raf Simons Ria woven fabric

     



     

    Composition of Elliot chair and Solo dining table.