In discussing our upcoming show with Castor Design's Brian Richer, we had the opportunity to pop by and check out his studio space.
Brian demonstrating a lighting prototype, and on the right, a stone carving exploration for The Captive exhibition.
There are some really interesting experiments and studies on display.
An example above using cellophane tape and light.
The office space contains a portion of the table from their long gone Oddfellows restaurant. Fun fact, we had our joint bachelor/bachelorette party in the Castor/Oddfellows camper van, of which you can see a model of on the top shelf.
Out front of the office/packing/workshop in a small shipping container is Brian's stone carving studio.
A plaster bust of Elvis.
Tools of the trade.
Antique mallets and chisels handmade by Brian.
Brian carving a slab of limestone.
Non-Finito: a solo exhibition of captive stone carving by Brian Richer. Ace Hill drinks and stew will be served at the opening reception by Brian Richer and chef Matty Matheson.
Detour Coffee is now accompanied by Dear Grain heirloom breads, and they have started to serve open faced sandwiches which I cannot wait to try.
Probably the most significant changes occured with the investment in new Oak flooring from Relative Space as well as using Pure & Original Lime fresco paint in Bone. What an incredible difference this subtle textured natural paint gives to plain old boring drywall. Mjölk is now a representative in Toronto and the surrounding area for Pure & Original Paint.
We were able to reappropriate the banquettes they already had, but changed the proportions and painted them out with the really soft and pretty Farrow & Ball Vert de Terre. The Josef Hoffman chairs were a lucky find at Williams in our Junction neighbourhood and have the very cool history of having been previously used at the Toronto Public Reference Library.
Hanging above the tables are Mass Pendants in copper by Norm Architects.
On the other side of the cafe the first major thing we proposed was turning the squared off insert into one with an arch, and the effect is astounding.
We found the antique mirror at local Junction antique shop City Furniture, the last stop on our search and it was exactly what we were hoping to find. The long brass candle snuffer is by Stian Korntved Ruud.
Dedicated Detour customers may recognize the repurposed counter with its new bright top. The Oak flooring was extended up the back wall. A pass through window allows for customers to see the bread oven for Dear Grain breads. The cream coloured swing doors have always been there but they've been freshened up with a bright coat of paint and the brass fixtures have been polised, making the doors look brand new.
It being our ninth year at Mjölk as well, we decided it was finally time to refresh our showroom. Luckily we had recently happened upon a product that would really inform the more major change in the back of our showroom. Pure & Original paint from Belgium came on our radar during several other recent projects and the timing was right to incorporate it in our showroom.
In the front space we used "Milk", wooed by the name. It retains its gallery like open feeling, though there is a subtle texture added to the walls as shown in the above photo.
Over the years, the back of the showroom has been a struggle. The addition of a shoji lightbox over a window and new permanent white oak shelving fixtures definitely helped but the white drywall was reading as bland. The limited light did nothing to make the space pop so we decided to move in a different direction, opting for the dark green Belgian Wilderness from Pure & Original paint. We used the up/down effect and it has added so much depth and texture. This colour also works really well with the various woods, brass and plant life.
The desk area is slowly getting more layers. After a refresh it's just like moving into a new home. One is reluctant to poke holes in the new paint job, or overcrowd the space. New to the showroom is the simple FRAMA shelving as seen above.